This site uses Akismet to reduce spam. Enjoy! It’s no secret that the bitterness in One Piece: Baron Omatsuri and the Secret Island came from Hosoda’s frustrated attempt to direct Howl’s Moving Castle at Ghibli, which turned a rather silly scenario pitch into a darker affair. The Digimon Adventure movie left a strong impression on me, even though I had watched it in my late teens, years after I grew out of my Digimon phase. Mamoru Hosoda (Summer Wars, Wolf Children, and The Boy and the Beast) has announced his newest film. i’m so glad digimon got his work attached to it, and i’m looking forward to… Read more ». It’s fair to say that he’s not in need of signal boosting by a niche website. Support us on Patreon to help us reach our new goal to sustain the animation archive at Sakugabooru, Sakuga Video on Youtube, as well as this Sakuga Blog. If you’re reading this, chances are that you’re aware of who he is. Sakuragi Hanamichi, Crying Freeman 6: The Guiding Light of Memory, Dragon Ball Z: Broly - The Legendary Super Saiyan, Kami-Sama o sagashidase!! One of his films, Summer Wars, shares many plot and design similarities with Digimon Adventure: Our War Game!, while another of them, The Girl Who Leapt Through Time, is referenced in the title of the third arc of Digimon Fusion, " The Young Hunters Who Leapt Through Time ". Digimon Adventure: Storyboard - Mamoru Hosoda (デジモンアドベンチャー 絵コンテ・細田守 Dejimon Adobenchā Ekonte - Hosoda Mamoru?) It is the second of two Digimon movies directed by Hosoda, following 1999's Digimon Adventure. Mamoru Hosoda (細田 守 Hosoda Mamoru?) This kind of situation, where creators are freely creating without actual freedom, is rather common at Toei Animation due to the kind of mainstream projects they deal with, but Digimon took it to a rather extreme extent. They had a huge aesthetic influence in Hosoda’s works as episode director at the studio, be it with the weaponized solitude he learned from the latter or the former’s usage of intricate architecture for framing purposes (do yourself a favor and watch Hosoda’s contributions to Ashita no Nadja). It’d be a lie to claim that Hosoda moved away from his mentors’ teachings, but there’s a gradual evolution from Digimon onwards as he began to find the kind of stories he wanted to tell and adapted his repertoire to his own tone. After his early career at Toei Animation resulted in him directing the first two shorts in what would become Digimon: The Movie in the West, Hosoda was tapped by Studio Ghibli and announced as the director of Howl’s Moving Castle in 2001. but the “localization” of the movie, which is what made it to Europe as well. And as far as I’m concerned, that’s something to be admired. Nostalgia aside, it’s… Read more », Digimon Adventure: 20 Years Of Sincere Mamoru Hosoda Films, took into consideration children’s perception of the events, 20 Years Of Ojamajo Doremi: The Ideal Kids Anime Grows Up With Its Audience, Ufotable’s 20th Anniversary: A Tale of Wild But Meticulous Growth, Twilight Wings: A Labor Of Love By The Pokemon Generation, Pokemon Twilight Wings Interview: Series Director Shingo Yamashita & Assistant Yoh Watanabe, K-ON! Mamoru Hosoda Announces 'Ryuu to Sobakasu no Hime' Anime Movie: Studio Chizu announced a new anime movie by director Mamoru Hosoda (Mira no Mirai, Bakemono no Ko) titled Ryuu to Sobakasu no Hime (The Dragon and the Freckled Princess) on Wednesday. I really wish there is a tribute from TOEI to Hosoda for his precious works in the franchise for… Read more », Thanks for this article!!! Called Belle, the movie tells the story of a young woman in modern-day Japan … There was no real narrative to use as a springboard either, nor was there an established cast of characters; though the looks of certain characters like protagonist Taichi were determined by cross-media obligations with series that preceded the anime like Digimon Adventure V-Tamer 01, it was Katsuyoshi Nakatsuru‘s designs that served as the starting point for the cast rather being the visual realization of ideas that were already agreed upon. Hosoda left Madhouse in 2011 to establish his own animation studio, Studio Chizu. It probably wasn’t a coincidence that I later developed an even stronger attachment to Summer Wars. I actually had no idea that Mamoru Hosoda was the head guy behind one of my absolute favorite childhood movies to this day, so I learned something new today! BGS BECKETT 9 Tyrannomon Champion Digimon Trading Card Game Holo. Mamoru Hosoda (Summer Wars, Wolf Children, and The Boy and the Beast) has announced his newest film.Called Belle, the movie tells the story of a young woman in modern-day Japan as she enters a massive virtual world. Having been hired by Toei Animation directly out of college, Hosoda was given both Digimon films to direct by the company after he expressed a desire to make movies. Condition: Brand New. His father worked as a railway engineer, and his mother was a tailor. The Golden Digimentals (released 2000). Thanks to everyone who’s helped out so far! For those who grew up in america, this is just the superior version of Digimon the movie's first arc. Learn how your comment data is processed. Haha it’s not so much the English dub (never saw it!) Mamoru Hosoda’s Mirai will be screening at the IU Cinema on April 7 at 1 pm as part of the Cinema’s CINEkids International Children’s Film Series, East Asian Film Series, and International Arthouse Series. Rewatching a bunch of it has left me wanting to revisit even more of it and try to come up with an excuse for another post, lol. (released 2000), and Digimon Adventure 02: Digimon Hurricane Touchdown! I’m hoping to show the film to my friends soon and perhaps they’ll like it just as much as I did! Toei’s got quite the blessed new generation at the moment, but the emergence of figures like Igarashi and Hosoda with mentors such as Kaizawa, Ikuhara, and SatoJun still around might have been their golden age (as long as you separate… Read more », i’m currently rewatching utena as part of a big ikuni marathon getting ready for sarazanmai, and it’s the first time i’ve rewatched that series since i started getting into sakuga stuff, so i got very excited seeing akemi hayashi and mamoru hosoda’s names prominently in the credits of some of the most visually striking episodes. Right after returning to Toei, and in his first major project after leaving them, the most iconic imagery in his works reflected his pondering about which path to follow. Always fun to look at the credits of his past works and realize how many people made it big and became directors that people pay close attention to now. is a book featuring storyboards by Mamoru Hosoda. BGS 8.5 MINT SaberLeomon 1st Edition Digimon Digibattle … Though this short film is devoted to the friendship bonds between Taichi and his fated partner, the source of the conflict isn’t so much the external menace in the form of Parrotmon, but rather Big Agumon’s ambiguous (a)morality, these creatures’ dangerous innate instincts to fight, and how damaging their mere presence in the human world is. "Mirai" world premiered at Cannes' Directors’ Fortnight in 2018 and was acquired by GKids for […] It feels like watching digimon on something that is not a digimon. In more recent times, his films have been born from developments in his life to begin with – Wolf Children’s tale of motherhood after his own mother died, a father’s struggle in the form of The Boy and the Beast once he became a parent, and the downright autobiographical Mirai just last year. I don’t appreciate the dig at the Western dub of Digimon the movie tho (unless I misinterpreted the comment about the “not to be confused with the embarrassing western mishmash” bit)….it’s the one I grew up with and I love how wacky and lighthearted it is, even if the original dub may be different the English cut will always have a fond place in my heart. Mamoru Hosoda is truly an incredible director. But I think the reason it works so well in this production and others of that period is because of the impecable color management some of these late “cel based” movies had, specially notable in ovas of the 90s and late 90s like the Jojo OVAS or Kenshin OVAS, to cite a few. He majored in oil painting at the Kanazawa College of Art in Ishikawa Prefecture. Hence why it’s rather easy to get what he’s all about, even when it comes to his workflow. The movie’s non-verbal communication is carried by the articulate acting throughout and, when the action hits, it does so with tremendous authenticity. those storyboards… there really is just something about hosoda’s work… his unflinching handling of messy emotions plus the way he values children’s perspectives is something i wish more directors had. Free shipping . I’ve always liked that “kagenashi” style without actually knowing it had a name. 23 wins & 25 nominations. Because we like him, because you like him, and because Digimon’s celebrating its 20th anniversary right now. As mentioned by Hosoda himself, Digimon Adventure: The Movie (not to be confused with the embarrassing western mishmash) was in the works before the TV show was pitched, even though it’s now seen as nothing but its prologue. Mamoru Hosoda was a Japanese animated film director born on September 19, 1967 in Kamiichi, Toyama. "Belle" follows a fruitful collaboration between Charades, Hosoda and his production company Studio Chizu. Rolling off the Oscar-nominated animated feature “Mirai,” Paris-based sales company Charades is set to reteam with Japanese auteur Hosoda Mamoru on his next directorial outing, “B… It makes sense for a site focused on the production side of things like this one to give preference to overlooked voices, even as we tend to limit ourselves to the commercial animation sphere. The first Digimon series was byproduct of a 1998 short film, Digimon Adventure, by animator Mamoru Hosoda. 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